po • em


po • em

writing that makes you think

2005 poetry chapbook by Janet Kuypers

signature Kuypers><BR><BR>




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po • em

1. A verbal composition designed to convey experiences, ideas, or emotions in a vivid & imaginative way, characterized by the use of language chosen for its sound and suggestive power and by the use of literary techniques such as meter, metaphor, and rhyme.
2. A composition in verse rather than in prose.
3. A literary composition written with an intensity or beauty of language more characteristic of poetry than of prose.
4. A creation, object, or experience having beauty suggestive of poetry.








bio

Janet Kuypers (June 22, 1970), graduated from the University of Illinois in Champaign/Urbana with a degree in News/Editorial Communications Journalism (with computer science engineering studies). She had a minor in photography and specialized in creative writing. In the early 1990s she was an acquaintance rape workshop facilitator, and edited to two literary magazines.
As the editor the literary and art magazine Children, Churches and Daddies, Kuypers has been published in books, magazines and on the Internet over 8,800 times for writing or over11,600 times for art work in her professional career. She has been profiled in such magazines as Nation and DiscoverU, has sung in the acoustic bands Mom’s Favorite Vase (in Chicago), Weeds and Flowers (in Colorado) and the Second Axing (in Illinois), and has released performance art CDs with the musical groups Pointless Orchestra, 5D/5D and Order From Chaos.
She has eleven books published:
Hope Chest in the Attic
The Window
Close Cover Before Striking
(woman.)
(spiral bound)
Autumn Reason (novel in letter form)
the Average Guy’s Guide (to Feminism)
Contents Under Pressure
Changing Gears
The Key To Believing
(2002 650 page novel)
Oeuvre (poetry collection book)
Exaro Versus (prose collection book)
L’arte (art book)
In the spring of 1998 she embarked on her first national tour, with featured performances, among other venues, at the Albuquerque Spoken Word Festival during the National Poetry Slam, in 2003 she hosted and performed weekly at a poetry and music open mic called “Sing Your Life”, and starting in 2002 was a featured performer, doing quarterly performance art shows with readings, music and images.








Death takes many forms.

It is winter now.
The trees have lost their leaves;
the city is covered in a thin layer of soot and snow.
The grass is dead.
In the sunless sky black birds circle overhead
searching for prey.
An eerie cold settles over everything.
Nothing is growing anymore.

Death takes many forms.
For you, death first came when you were five years old
and your mother had to give you three shots of insulin a day
until you could take a needle to yourself.
Did it hurt to push that needle into your arm, the first time?
Or did it hurt you more to know you had no choice?

Death takes many forms.
Death can be someone telling you without trying
that they are losing their sight.
Behind coke-bottle glasses you would see me and say,
“That’s a nice black suit you’re wearing.”
And I would tell you, “It’s green.”
And you wouldn’t believe me.
You wouldn’t hear the howling wind of the changing seasons.

Death takes many forms.
I know what follows the autumn wind.
It is winter now.
Do you remember when it happened?
The changes are subtle, the temperature drops,
first only slightly. It’s almost imperceptible.
Only when the first snow falls do you realize
where the seasons have gone.

Death takes many forms.
Death can be a sweat-soaked shirt, the shakes, dizziness
when you needed food.
You would look as pale as a ghost
as I would hold your cold wet arm and steady you.
Quick, some sugar will make everything better.
Isn’t everything better yet?

Death takes many forms.
The signs of death can come
when you lose your circulation.
“My feet are numb, Janet,” you’d say.
“I can’t feel my feet anymore.”
And I would rub your feet for you,
and you would say it makes a difference,
you feel better.

If only I could do this forever.

Death takes many forms.
I said good bye to you to travel my own road
but I didn’t think it was the last good bye.
How was I to know?

When I left, I knew you didn’t want me to go.
And now it’s my turn.

Why are we always saying good bye to each other?

Are you trying to teach me a lesson?
Because if you are, well,
I’ve learned it. Trust me, I have.
You can come back now.

Death takes many forms.
And now, now it seems
you’ve taken me down with you
you’ve taken me into that casket with you
and I’m running my hand along your jacket lapel
and I can feel the coldness of winter all around me
and I can hear them shoveling the dirt over my head
and I want to get out
and I want to take you with me.

Death takes many forms.
Death can be that hole you left,
you know, right over here, just a little to the left.
I keep wondering when the pain will go away.
When will everything be better.

You once showed me that winter could be beautiful.
Instead of the dark and dirty snow lacing the city streets
you showed me a quieting snowfall,
over a lake at your parent’s back yard
glistening in an untouched whiteness.
I told you I hated winters
and you told me, “This you don’t hate.”

Well, I’m still learning.

It is winter now.
And death takes many forms.
The seasons change for you and I.
It is snowing. And something is ending.
It is snowing. Somewhere
it is snowing.








the burning

The Burning

I take the final swig of vodka
feel it burn it’s way down my throat
hiss at it scorching my tongue
and reach for the bottle to pour myself another.
I think of how my tonsils scream
every time I let the alcohol rape me.
Then I look down at my hands --
shaking -- holding the glass of poison --
and think of how these were the hands
that should have pushed you away from me.
But didn’t. And I keep wondering
why I took your hell, took your poison.
I remember how you burned your way
through me. You corrupted me
from the inside out, and I kept coming back.
I let you infect me, and now you’ve
burned a hole through me. I hated it.
Now I have to rid myself of you,
and my escape is flowing between the
ice cubes in the glass nestled in my palm.
But I have to drink more. The burning
doesn’t last as long as you do.










looking for a worthy adversary

I’ve been looking for a worthy adversary
someone I can lock horns with
because although my life makes more sense when I’m alone
it’s not nearly as interesting

I’ve been looking for a worthy adversary
someone I can battle to the death with
because it can’t be about love, you see
love can’t exist on the terms I demand
it’s never that pure

I’ve been looking for a worthy adversary
and so I slither up to you like a snake
as you sit there at the corner
of the bar drinking your gin and tonics
and I tempt you with a golden apple

but all I was offering you
was fruit from the tree of knowledge

I didn’t know how willing you were
to take from that tree
I’m not used to that, you know

Did you know you’d need to come back for more?
Did you know what you were getting into?

well, I didn’t know you’d have
a thing or two to each me too

and did I know I’d need to come back for more?
Did I know what I was getting into?

because as I’ve been looking for a worthy adversary
all this time I’ve been playing a part
an actress on a stage, spouting the lines on cue
and that role was getting tiresome
but those stage lights still came on night after night
and I still had to play my part

until on my night off I saw your performance
at the theatre down the street
and you know, your protagonist
was doing what I was doing
right down to faking it with people who don’t matter
right down to going home and still feeling empty

and you know, I liked to see
that boiling emotion underneath
that no one else could see
because only I had the knowledge to know
what that emotion really means

and you know, I’m beginning to wonder
if we can get together
and write our own play

it would be a masterful performance, you know
and as that curtain would close we’d hold each other’s hands
and walk off the stage
and the audience would know that there is a happy ending

and now when I walk out on to the set
and there you stand, in front, stage left
I wait for my cue to make my move
none of the rest of the scene matters to me, you know

maybe they’d like our little play, maybe they wouldn’t
who really cares

because even though I came to you
and tempted you
you now tempt me and tease me and torment me
and tell me everything I was too afraid to believe
and show me the knowledge that always escaped me

and when you talk you reach your hand into my brain
and pull out my thoughts and shove them into your mouth
and spit them back at me

and instead of filling me with terror
it fills me with joy

I’ve been looking for a worthy adversary
and maybe you are much more than that

I’ve heard the words you say to me before
I’ve said them to myself many times
but why do they sound so much better
coming from you?

I had been looking for a worth adversary
someone I could lock horns with
but now I’m no longer locking horns

now it seems I don’t have to fight the battle alone
now it seems that there’s no battle to fight
we know what all the lines from our play really mean
and now we’re performing for no one
now we’re just ourselves
and now there’s just understanding
I don’t even have to speak

and now every day is Valentine’s Day
and now it’s like candy and flowers and springtime
and hearts and cupids and sunshine
and you know it’s scary
these cleches are actually beginning to make sense

I guess that’s what the tree of knowledge does to you

so this is what has been going on in my mind
and now I’ve just spilled my guts
and now I’m just a puddle on the floor

but now my performance of a lifetime is made
I stand here like a statue
and wait for my applause

and as I wait for the reviews
on the performance I was made for
I know what they’re all going to say
and none of that matters anymore

because I know what you are going to say
because it’s everything that I want to say

because now it’s time
for you to take my thoughts again
and shove them into your mouth again
and spit them back at me again

and now I wait for you to come on stage again
for our next wonderful performance
where we have our happy ending
where you tell me what I already know








True Happiness
in the New Millennium

“I ain’t never found peace upon the breast of a girl
I ain’t never found peace with the religions of the world
I ain’t never found peace at the bottom of a glass

Sometimes it seems the more I ask for the less I receive
Sometimes it seems the more I ask for the less I receive
The only true freedom is freedom from the heart’s desires
And the only true happiness this way lies”
                                                                - Matt Johnson

I’m here to usher in a whole new millennium
I’m the new savior      the savior of science
    the savior of strength      the savior of survival
    survival of the fittest      survival of the best
and I’m here to tell you we’re starting anew
so fasten your seat belts      hang on to your hats
place your seat trays in their upright and locked position
for it’s a bumpy ride, and I’ll tell you why

I’m here to usher in a whole new millennium
the millennium of reason and logic and strength
and I don’t want to hear about your self-destruction
I don’t want to hear your whining, psychosis,
your depression, suicide, alcohol and drugs
and just what made you think that playing with needles
and escape would make things better somehow
    God, I’ve always hated needles anyway
        what is it with you people

well, you need a leader and I’m stepping up to the plate
you keep asking for a big brother and I’m here to set you straight
you want someone to wipe your noses for you
well, pick up the damn tissue and do it yourself
because when you give up your rights, you take away mine
and we’re not having any of that

I’m here to usher in a whole new millennium
and you say to me you need crystal meth
    so you can stay awake through work
and you say to me that you don’t need to drink,
    that you just like the taste
and you say to me that with all your escapism
    you still don’t feel any better
and you say to me that sometimes suicide
    is the only answer

I’m here to usher in a whole new millennium
I’m here to usher in a whole new generation
so stop asking for things and start working for things
because X is for ecstacy as long as it’s fast
and X is for extra but there’s always a cost
and ecstacy doesn’t come without extra work
no matter how many corners you cut
and you know, X is for X-Ray and I see right through that

they say that Eve ate from the tree from knowledge
but you know, she shouldn’t have stopped just then
cause the loggers are raping the trees of knowledge
the loggers are raping the forests of talent
the forests of ability      the forests of reason
of skill        of logic        perseverance        and life
we’re letting them rape the forests of excellence
and you know it’s now time to take it all back
because I’m here to usher in a whole new millennium
and I’m here to tell you how it’s going to be done

you’re looking for peace in all the wrong places
you’re asking your leaders to save you from yourself
but your leaders are losers and they’re worse off than you

I’m here to usher in a whole new millennium
where it’s time to take charge and it’s time fess up
only you can deliver you from your own sins
but first you must know what sin really is

it’s time to make choices and it’s time to lay claim
to everything we’ve been blindly giving away
because I’m here to usher in a whole new millennium
take charge of yourself, and I’ll take charge of me
I’m my leader, not yours, so wipe your own noses

take it in to your hands, people, mold your own tools
this is the new millennium, and this is your chance
because no one should be showing us how to fail
people mastered that feat a millennia ago
so set your own rules and do something fast
cause it’s time to take charge and it’s time to be alive

I’m here to usher in a whole new millennium
And I’m waiting for you to usher in yours
Because true happiness this way lies, my friend
and I won’t wait long if you lag behind
cause I’m setting my rules so step out of my way

I’m here to tell you there’s a new sensation
and I’m here to tell you there’s a new salvation
and that true happiness this way lies








more than we should have

when i think of him i usually think about the drinking

actually, i never think of him as drinking
come to think of it
i just think of him as drunk
i can’t even remember seeing the drinks in his hand
but his perception of the world is always altered

but someone reminded me tonight
of when he would work outside in the the cold Chicago winters
and he would come back with his moustache frozen
and there would be little icicles hanging
down toward his mouth

and then i thought of
when i waited with him once at the airport
because we were picking up someone
and we sat in the shrimp cocktail lounge
and he drank, and ate, and i waited

and as we left
we tried to pay the expressway toll with pennies
but some of the coins fell onto the street
and we had to throw more change at the machine

we paid more than we should have
i’m sure we did








god eyes

It was a stupid point to argue about at 2 a.m.,
sitting in the lobby of the Las Vegas Hilton
listening to the clink and whirr of slot machines
and the dropping of tokens onto metal.
You believed in God, I did not. Even after two
rounds of Sam Adams and three rounds of Bailey’s
I knew you wouldn’t change my mind, and
I had no desire to change yours.

You told me of a dream you had: in it you and
Christian Slater played a game of pool. You
won. He looked at his hands and said, “I’ve got
a beer in one hand, and a cigarette in the other.
I guess this means it’s time for me to seduce
someone.” And he walked away. You’re a funny
man. You make me laugh. Your brother even noticed
that. And you even spoke like Slater, rough, mysterious.

You were the optimist: yes, there is
meaning to life. I was doomed to nothingness,
meaninglessness. But to me you were the
pessimist: you believed you were not
capable of creating the power, the passion
you had within you. I had control in my life, even
if in the end it was all for nothing.
You think we are so different. We are not.

It’s now after three and we listen to music:
Al Jarreau, Whitney Houston, Billy Ocean, Mariah
Carey. Natalie Cole, with her father. “That’s why darling,
it’s incredible -” you mouth as you walk toward the
washrooms - “that someone so unforgettable -”
take a spin, watch me mouth the words
with you as you walk away -
“think that I am unforgettable too.”

I tell you about the first time I got drunk - I was
maybe ten, and asked my sister to make a mixed
drink mom had that I liked. She made me a few.
So there I was, walking to the neighbor’s house in
the summertime, wearing my sister’s seventies
zip-up boots, oversized and unzipped, carrying my
seventh drink and sticking my tongue out to see the
grenadine. You liked my story. You laughed.

Passion is a hard thing to describe. Passion
for life. You must know and understand a
spirituality behind it. You do your work, the things
in life solely because you must - it is you,
and you could not exist any other way. It is
who you are. It is a feeling beyond mere
enjoyment. You said that the spirituality was a God.
I said it was my mind. Once again, we lock horns.

All of my life I have seen people espouse beliefs
but not follow them. Tell me you’re not like them.
Our values are different, but tell me we both have
values and will fight to the death for them. I need to know
that there are people like that, like me. We are different,
but at the core we are the same.We understand all this.
I’m grasping straws here as the clock says 3:45 a.m.
and the betting odds for football games roll by

on the television screen. You don’t gamble. Neither
do I. Why must you be so far away? You reminded
me that I have a passion in life, that I have to
keep fighting. But I get weak and tire
of fighting these battles alone. I, the
atheist, have no God and have to rely on
my will. When I am low, I struggle. You have
your God to fall back on, I only have me.

And you looked into my eyes as it approached
the morning. You stared. We locked horns once
again. I ask you again what you were
thinking. And you said, “I see God in
your eyes.” Later you said it to me again. I asked
you what you meant. You said, “I see
a God in your eyes. I see a soul.” Whether
what you saw was your God or just me, my

passion, well, thank you for finding it. “Good-bye,
Ms. Kuypers,” you said when you left for good
that day. I said nothing. Good-bye, Mr. Williams,
I thought, then I closed the door, walked to the
window, started singing unforgettable. I was alone
in my hotel room, and the lights from the Stardust,
the Frontier, the Riviera were still flashing.
I’m not alone. Good-bye, Mr. Williams.








Burn It In

Once I was at a beach
off the west coast of Florida
it was New Year’s eve
and the yellow moon hung over the gulf
like a swaying lantern.
And I was watching the waves crash in front of me
with a friend
and the wind picked up
and my friend just stared at that moon for a while
and then closed his eyes.
I asked him what he was thinking.
He said, “I wanted to look at this scene,
and memorize it, burn it into my brain,
record it in my mind, so I can call it up when I want to.
So I can have it with me always.”

I too have my recorders.
I burn these things into my brain,
I burn these things onto pages.
I pick and choose what needs to be said,
what needs to be remembered.

Every year, at the end of the year
I used to write in a journal
recall the things that happened to me
log in all of the memories I needed to keep
because that was what kept me sane
that was what kept me alive.

When I first went to college
I was studying to be a computer science
engineer, I wanted to make a lot of money
I wanted to beat everyone else
because burned in my brain were the taunts
of kids who were in cliques
so others could do the thinking for them
because burned in my brain were the evenings
of the high school dances I never went to
because burned in my brain were the people
I knew I was better than
who thought they were better than me.
Well, yes, I wanted to make a lot of money
I wanted to beat everyone else
but I hated what I was doing
I hated what I saw around me
hated all the pain people put each other through
and all of these memories just kept flooding me
so in my spare time
to keep me sane, to keep me alive
I wrote down the things I could not say
that was how I recorded things.

When I looked around me, and saw friends
raping my friends
I wrote, I burned into these nightmares with a pen
and yes, I have this recorded
I have all of this recorded.

What did you think I was doing
when I was stuffing hand-written notes into my pockets
or typing long hours into the night?
In college, I had two roommates
who in their spare time would watch movies in our living room
and cross-stitch. I never understood this.
In my spare time, I was not watching other’s stories
or weaving thread to keep my hands busy
I was sitting in the corner of a cafe
scribbling into my notebook.
I was sitting in the university computer lab
slamming my hands, my fingers against the keyboard
because there were too many atrocities in the world
too many injustices that I had witnessed
too many people who had wronged me

and I had a lot of work to do.
There had to be a record of what you’ve done.

Did you think your crimes would go unpunished?
And did you think that you could come back, years later,
slap me on the back with a friendly hello
and think I wouldn’t remember?
You see, that’s what I have my poems for
so there will always be a record
of what you have done
I have defiled many pages
in your honor, you who swung
your battle ax high above your head
and thought no one would remember in the end.
Well, I made a point to remember.
Yes, I have defiled many pages
and have you defiled many women?
You, the man who rapes my friends?
You, the man who rapes my sisters?
You, the man who rapes me?
Is this what makes you a strong man?

you want to know why I do the things I do

I had to record these things
that is what kept me together
when people were dying
that is what kept me together
when my friends went off to war
that is what kept me together
when my friends were raped
and left for dead
that is what kept me together
when no one bothered to notice this
or change this
or care about this
these recordings kept me together

I need to record these things
to remind myself
of where I came from
I need to record these things
to remind myself
that there are things to value
and things to hate
I need to record these things
to remind myself
that there are things worth fighting for
worth dying for
I need to record these things
to remind myself
that I am alive








too far

When he met me
he told me
I looked like
Kim Basinger
long blonde locks
but as time
wore on I knew
I wasn’t her
and I could never
be her and I was
never good enough
thin enough
pretty enough
I got a perm
straightened my
teeth
bought a wonder
bra but it wasn’t
doing the trick
I bought slimfast
used the stair
stepper ate rice
cakes and wheat
germ but I wasn’t
thin enough I
only dropped
twenty pounds
so I went to the
spa got my skin
peeled soaked
myself in mud
wrapped myself
in cellophane
bought the amino
acid facial creams
but I knew they
didn’t really
work so I went to
the doctor got my
nose slimmed
my tummy stapled
my thighs sucked

thought about
getting a rib or two
removed
like Cher
but I figured
they’ve got to
be there for
something
and hey, that’s
just going
too far








the Battle at Hand

I wanted you to know
that I was on a mission when I saw you
and that I was a warrior
and you were just a helpless victim
that couldn’t fight my weaponry

that wouldn’t fight my weaponry

I would come in to town
and pillage and rape
and rape and pillage
depending on how you put it

and rape is such a hard word, you know,
entirely inappropriate for this
because I made sure that you wanted me
before it was all over
because I have a knack for doing that
when I fight my battles

this is how I care to think of you.
I was on a conquest
and i came fully equipped with ammunition
I had bayonetts
I had a rifle
with rounds of bullets in a chain
thrown over my shoulder
I had a .22 calibur magazine loaded hand-gun

I didn’t even need to use the hand-grenade
or the tear gas

even before i started using my tongue as a weapon with a kiss
I used it as a weapon with words
and I knew I had won you won over from the start
you looked at me when I spoke
and I think you might have actually wanted to listen to me

and I would never have to resort to violence
to get what I wanted from you

we selsom had opportunities before
and there wasn’t much of an opportunities here
but we made one
and we somehow made it work

I know I wasn’t ready for a battle before
but I want you to know
that I came ready to fight
and I didn’t care the circumstance
or whether or not we had to be quiet
because we wouldn’t want anyone to find out
and no one did

and no, it was not a monumentous moment in my life
it was just a moment
a conquest, a battle,
and in my own mind,
I won the war

you still thought I was beautiful
and that I was horny
did I create a little monster in you?
now I’m going to have to re-arm myself
and use my stockade of defenses to push you away

but that is the cost of winning battles all the time, I guess

you thought I would always want you
and you know, I liked winning the battle,
but I’ll have to work again
so that you don’t come back to haunt me
because we weren’t meant to be anything to each other
and you were just a conquest for me
a battle won

people thought we would never get along.
but I know better
I know there is no such thing as NOT getting along with me
and I know I can make anyone like me
as I did with you

you were easy prey, you know.








the state of the nation

my phone rang earlier today
and I picked it up and said “hello”
and a man on the other end said,
Is this Janet Kuypers?
and I said, “Yes, it is, may I ask
who is calling?”
and he said, Yeah, hi, this is
George Washington, and I’m sitting here
with Jefferson and we wanted to
tell you a few things. And I said
“Why me?” And he said Excuse me,
I believe I said I was the one
that wanted to do the talking.
God, that’s the problem with
Americans nowadays. They’re so
damn rude. And I said, “You know,
you really didn’t have to use
language like that,” and he said,
Oh, I’m sorry, it’s just I’ve been
dead so long, I lose all control
of my manners. Well, anyway, we just
wanted to tell you some stuff. Now,
you know that we really didn’t have
much of an idea of what we were
doing when we were starting up
this country here, we didn’t have
much experience in creating
bodies of power, so I could understand
how our Constitution could be
misconstrued

and then he put in a dramatic pause
and said,
but when we said people had
a right to bear arms
we meant to protect themselves
from a government gone wrong
and not so you could kill
and innocent person
for twenty dollars cash
and when we said freedom of
religion we included the separation
of church and state because freedom
of religion could also mean freedom
from religion
and when we said freedom of speech
we had no idea you’d be
burning a flag
or painting pictures of Christ
doused in urine
or photographing people with
whips up their respective anatomies
but hell, I guess we’ve got to
grin and bear it
because if we ban that
the next thing they’ll ban is books
and we can’t have that
and I said, “But there are schools
that have books banned, George.”
And he said Oh.








Andrew Hettinger

I never really liked you. You never revealed
yourself to me and why would you: you,
who never had anyone, you, who always
had the bad breaks. Everyone looked at you
as different. Where would you have learned
to trust. Who would you have learned it from.

I never really liked you. I met you through
a friend and he explained to me that multiple
sclerosis left you with a slight limp and a
faint lisp. Faint, under the surface, but there,
traces of something no one would ever
know of you well enough to fully understand.

I never really liked you. You never revealed
yourself to me and I never wanted you to;
you scared me too much. You, plagued with
physical ailments. You, with a limp in your walk.
You, with a patch over your eye. You, who
stared at me for always just a bit too long.

They told me the patch was from eye surgery
with complications and now you had to cover
your shame, cover someone else’s mistakes,
cover a wrong you didn’t commit, cover a
problem not of your own doing. The problems
were never of your own doing, were they.

I heard these stories and I thought it was sad.
I heard these stories and thought you had to be
a pillar of strength. And then I saw you drink,
straight from the bottle, fifteen-year-old
chianti. And I saw you smash your hand into
your living room wall. This is how you lived.

The house you lived in was littered with
trash. Why bother to clean it up anyway. It
detracted you from the holes in the wall, the
broken furniture from drunken fits. This was
how you reacted to life, to the world. You didn’t
know any better. This is how you coped.

I never really liked you. You would come home
from work, tell us about a woman who was
beautiful and smart that liked you, but she
wasn’t quite smart enough. And I thought: We
believe anything if we tell ourselves enough.
We weave these fantasies to get through the days.

I never really liked you. Every time you talked
to me you always leaned a little too close. So
I stayed away from the house, noted that those
whom you called friends did the same. I asked
my friend why he bothered to stay in touch.
And he said to me, "But he has no friends."

This is how I thought of you. A man who was
dealt a bad hand. A man who couldn’t fight
the demons that were handed to him. And
with that I put you out of my mind, relegated
you to the ranks of the inconsequential. We parted
ways. You were reduced to a sliver of my youth.



I received a letter recently, a letter from
someone who knew you, someone who wanted
me to tell my friend that they read in the
newspaper that you hanged yourself. Your
brother died in an electrical accident, and
after the funeral you went to the train station,

and instead of leaving this town you went to a
small room off to the side and you left us forever.
Strangers had to find you. The police had to
search through records to identify your body.
The newspaper described you as having "health
problems." But you knew it was more than that.

And I was asked to be the messenger to my
friend. The funeral had already passed. You were
already in the ground. There was no way he
could say goodbye. I shouldn’t have been the one
to tell him this. No one deserved to tell him.
He was the only one who tried to care.



I never really liked you. No one did. But when
I had to tell my friend, I knew his pain.
I knew he wanted to be better. I knew he
thought you were too young to die. I knew he
felt guilty for not calling you. He knew it
shouldn’t have been this way. We all knew it.

I never really liked you. But now I can’t get
you out of my mind; you haunt me for all the
people we’ve forgotten in our lives. I don’t like
what you’ve done. I don’t like you quitting.
I don’t like you dying, not giving us the chance
to love you, or hate you, or even ignore you more.



My friend still doesn’t know where your grave is.
I’d like to find it for him, and take him to you.
Let you know you did have a friend out there.
Bring you a drink, maybe, a fitting nightcap
to mark your departure, to commemorate a life
filled with liquor, violence, pain and death.

I never really liked you, but maybe we could get
together in some old cemetery, sit on your grave
stone, share a drink with the dead, laugh at the
injustices of life when we’re surrounded by death.
Maybe then we’d understand your pain for one brief
moment, and remember the moments we’ll always regret.










Chicago, International feel skyline


new to chicago

I’m still new to this city
I know, I know, I’ve been here for years
but I haven’t gone to the Sears Tower Observatory
since my Junior Prom

but when I walk by the First Chicago building
the beams along the north side
sloping up, parabolic pillars curving up to the sky

when I walk by the First Chicago building
I walk up along the side
and lean up against one of the sloping pillars
press my body against the cold concrete
feel the cold against my chin, my breasts, by thighs

and look up along the curve, stretching up towards the sky

you know, these pillares look like race tracks
and I could see something come rushing down that curve
a matchbox car, a race car
a marble, a bowling ball
a two-ton weight

I see the seed, the power, and it
almost makes me afraid to look up

and every time I walk by the First Chicago building
I do the same thing, I do this little ritual
and it feels like the first time










last before extinction

Now he has so many opportunities.
He has nothing to lose. Why not
come out of the wilderness, attack
everything it sees. Kill something.
Suck the blood out, make him feel
alive for once more. Let them try
to restrain him. He has nothing to lose.

And for now it can fly to the highest
redwood, look out over the world.
Despise the world, the world that made
him be alone, leaving him alone. Who
will carry his name? Who will care
for him when he is old? Who can he
read bed time stories to?

Now it can feel death creeping upon
him, closer and closer. He wants to
scream. He calls upon nature; the
tides rise, earthquakes shatter homes.
He does not feel vindicated. He has lost.

And for now she can swim to the deepest
darkest cave in the Pacific, hide from
the solitude, swim lower and lower;
can she find where all of the other
animals of dying species hide, can she
find them. There must be others. They
can understand, they can live together,
at the bottom of the earth. Could they
show their pain for their species, share
what is left of their love, create a new race?

Soon they will be no more
and we will be taking their bones,
reassembling them, studying their
form, rebuilding their lives, revering
them more than we ever did
in life. This is what it all becomes.
This is what it all boils down to.
Study the bones. Study the mistakes.
Study the bones.

bison, Wyoming

bird at el Yunque tropical rain forest, Puerto Rico

coy in water








everything was alive and dying

I

I had a dream the other night
I walked out of the city
to a forest
and there were neatly paved bicycle paths
and trash cans every fifty feet
and trash every ten

and then a raccoon came right up to me
she had a few little baby raccoons
following her, it was so cute, I
wish I had my camera

and she spoke to me,
she said, thank you
thank you for not buying furs,
I know you humans are pretty smart,
you have to be able to figure out a way
to keep yourselves warm
without killing me

and I said, you know they don’t
do it for warmth,
they do it for fashion, they do it
for power. And she said I know.
But thank you anyway.



cat collage = Zach, Johnny, Katie and Sequoia II

Then I walked a little further
and there was a stray cat
she still had her little neon collar on
with a little bell
and she walked a few feet,
stretched her front paws,
oh, she looked so darling
and then she walked right up to me
and she said thank you
and I said for what?
And she just looked at me for a moment,
her little ears were standing straight up,
and then she said, you know,
in some countries I’m considered
a delicacy. And I said how
do you know of these things?
And she said
when somebody eats one of you
word gets around
and then she looked up at me again
and said, and in some countries
the cow is sacred. Wouldn’t they
love to see how you humans
prepare them for slaughter, how you
hang them upside-down
and slit their throats
so their still beating hearts
will drain out all the blood for you
and she said isn’t it funny
how arbitrary your decision
to eat meat is?
and I said, don’t put me
in that category, I don’t eat meat
and she said I know



III

And I walked deeper in to the forest
managed to get away from the
picnic tables and the outhouses
that lined the forest edges
the roaring cars gave way to the
rustling of tree branches
crackling of fallen leaves
under my step

when the wind tunneled through
the wind whistled and sang
as it flew past the bark

and leaves

I walked
listened to the crack of dead branches
under my feet
and I felt a branch against my shoulder
I looked up and I could hear
the trees speak to me,
and they said
thank you for letting the
endangered animals live here amongst us
we do think they’re so pretty
and it would be a shame to see them go
and thank you for recycling paper
because you’re saving us
for just a little while longer

treeswe’ve been on this planet for so long
embedded in the earth
we do have souls, you know
you can hear it in our songs
we cling with our roots
we don’t want to let go

and I said, but I don’t do much,
I don’t do enough
and they said we know
but we’ll take what we can get

laying on md bed

IV

and I woke up in a sweat



V

so tell me, Bob Dole
so tell me, Newt Gingrich
so tell me, Pat Bucannan
so tell me, Jesse Helms
if you woke up from that dream
would you be in a sweat, too?



rain forest VI

Do you even know why
we should save the rain forest?
Oh preserve the delicate balance,
just tear the whole forest down,
what difference does it make?
Put in some orange groves
so our concentrate orange juice
can be a little cheaper

did you know that medical researchers
have a very, very hard time
trying to come up with synthetic
cures for diseases on their own?
It helps them out a little if they can first
find the substance in nature.
A tree that appears in the rain forest
may be the only one of its species.
Or one like it may be two miles away,
instead of right next to it. I wonder
how many cures we’ve destroyed
to plant more orange groves.
Serves us right.



VII

You know my motives aren’t selfless
I know that these things are worthwhile in my life

I’d like to find a cure to these diseases
before I die of them
and I’m not just a vegetarian
because I think it’s wrong to kill an animal
unless I have to
I also know the excess protein
pulls the calcium away from my bones
and gives me osteoporosis
and the excess fat gives me heart attacks
and I also know that we could be feeding
ten times more people
with the same resources used for meat production

You know, I know you’re looking at me
and calling me an extremist
but I’m sitting here, looking around me
looking at the destruction caused by family values
and thinking the right, moral, non-violent decisions
are also those extreme ones



VIII

everything is linked here
we destroy our animals
so we can be wasteful and violent
we destroy our plants
we destroy our earth
we’re even destroying our air
we wreak havoc on the soil, on the atmosphere
we dump our wastes into our lakes
we pump aerosol cans and exhaust pipes

and you tell me I’m extreme

and these animals and forests keep calling out to me
the oceans, the wind

and I’m beginning to think
that we just keep doing it
because we don’t know how to stop
and deep inside we feel the pain of
all that we’ve killed
and we try to control it by
popping a chemical-filled pain-killer

we live through the guilt
by taking caffeine, nicotine, morphine
and we keep ourselves thin with saccharin
and we keep ourselves sane with our alcohol poisoning
and when that’s not enough
maybe a line of coke

maybe shoot ourselves in the head
in front of the mirror in the master bedroom
or maybe just take some pills
walk into the garage, turn on the car
and just
fall asleep

in the wild
you have no power over anyone else

now that we’re civilized
we create our own wild

maybe when we have all this power
the only choice we have
is to destroy ourselves

and so we do








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This editorial is licensed under a Creative Commons Attribution-NoDerivs 2.5 License.

All material in this collection copyright © 2004 Janet Kuypers.
Though material may be quoted and attributed to Kuypers, all rights are reserved.